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la répulsion
these images are the result of collaboration and friendship – between the artist
Sévèrement
la beauté et l’innovation ne sont décidément pas fonction du nombre de mètres carrés
His portraits reveal intimate and rarely seen moments of great intensity
David Black The Days /anglais habitat social la répulsionDavid Blacks latest body of work extends his ongoing exploration of Western Americana into a more fluid meditation on energy, embodiment, and the inevitable impermanence of form. Here, the frame becomes a vessel for transmission, capturing not story but sensation: the spark that animates, the shimmer that moves between bodies, seen and unseen. These images invite us to consider our own physicality as a threshold where motion becomes trace, and what
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